Loreen virtually crushed all competition in the grand final in Baku and scored an almost Rybak-esque victory with "Euphoria". You all know this, of course. I am virtually warming the blog up again after my absence.
The victory, however, means that Sweden is back on the throne after thirteen years of yearning for the grand title. SVT has done their best to win the ESC, but despite having arguably the most ambitious of all national finals Sweden has struggled to make an impression.
At the same time, Swedish songwriters are being more successful than ever producing tracks for singers all over the world, making the national pop export one of the most impressive ones in the world. This was not least represented at this year's ESC where ten countries had Swedish songwriters - all of which made it to the final.
This fifth victory is only logical as it firmly places Sweden as one of the most successful countries in Eurovision. Equal to France and United Kingdom, only Ireland has won more times.
It would make sense now if Sweden decided to put in overdrive and start aiming for the top spot. "Euphoria" was an example of how easily everything can fall into place and come together - with some more songwriting as distinct and daring, it is a very possible prospect that Sweden will grow into being what France and the UK respectively were in the past: a veritable pop factory that collects top placings on a steady basis.
So are you ready, Sweden? I challenge you to have the record number of victories in ten years time. You need two more to equal the score, three more to be sole King of the Hill.
Having a hungry and determined Sweden hunting for victories year after year could do the contest lots of good, especially if the songs also have hit potential and inspire other countries to follow in the same tracks.
A lot of good can come out of this victory, indeed.
Loreen - Euphoria (Sweden 2012)